Sonntag, 20. August 2017

Summer 17 Sketches & Studies and a quote #7 - Backup

Quote from the Book Vincent van Gogh - Letters to his brother:

'Do not be shy to criticise me. Critique, I do not reject from the start, though, in many cases, it is much more time needed to change something, than to propose a change.'

Deutscher Text aus dem Buch:
'Du darfst Dich nicht scheuen, mich zu tadeln. Tadel schlage ich nicht von vornherein in den Wind, doch vielfach ist mehr Zeit nötig, etwas zu ändern, als eine Änderung vorzuschlagen.'

Backup - study in sketchbook

Samstag, 19. August 2017

Summer 17 Sketches & Studies and a daily quote #6 - Camper

Quote from the Book Vincent van Gogh - Letters to his brother:

'A painters responsibility is to immerse himself deep into nature itself and to use all his available intelligence to put his own emotions and feelings into his work, so others are able to comprehend the effort. But working towards selling, in my opinion, is just not the proper way, rather means cheating your patrons. This, the genuine artists did not practice, but their appeal, which manifested sooner or later, was based upon their sincerity...'

Deutscher Text aus dem Buch:
'Pflicht des Malers ist es, sich ganz in die Natur zu vertiefen und seine ganze Intelligenz einzusetzen, sein Gefühl in seine Arbeit zu legen, so daß es anderen verständlich wird. Aber auf Verkäuflichkeit hinzuarbeiten ist meiner Meinung nach nicht gerade der rechte Weg, sondern heisst vielmehr, die Liebhaber zu beschwindeln. Das haben die echten Künstler nicht getan, sondern die Anziehungskraft, die sie früher oder später ausübten, beruhte auf ihrer Aufrichtigkeit...'

Camper - pencil in sketchbook

Quote #5

Freitag, 18. August 2017

Summer 17 Sketches & Studies and a daily quote #5 - Followed

Quote from the Book Vincent van Gogh - Letters to his brother:

'What I want to say about the difference between old and todays' art is this - maybe, the modern artist is more of a thinker... Rembrandt and Ruysdael are sublime, then and now; but contemporary art has something, that touches us more in a personal-intimate way.'

Deutscher Text aus dem Buch:
'Was ich in bezug auf den Unterschied zwischen der alten und der heutigen Kunst sagen möchte, ist dies - vielleicht sind die Neuen in höherem Grad Denker... Rembrandt und Ruysdael sind erhaben, für uns ebenso wie für ihre Zeitgenossen; aber in den Modernen ist etwas, das uns mehr persönlich-intim berührt.'

Tourist ship, that followed ours on our way through Kornati 



Donnerstag, 17. August 2017

Summer 17 Sketches & Studies and a daily quote #4 - Corner

Quote from the Book Vincent van Gogh - Letters to his brother:

'There are colors, which naturally complement each other, but I try hard to make it as I see it, before I carry on to make it as I feel it. Nevertheless, to feel is something grand and without feeling you achieve nothing.'

Deutscher Text aus dem Buch:
'Es gibt Farben, die von selbst schön zueinander stehen, aber ich gebe mir große Mühe, es so zu machen, wie ich es sehe, ehe ich drangehe, es so zu machen, wie ich es fühle. Und doch - Gefühl ist etwas Großes, und ohne Gefühl würde man nichts erreichen.'

Corner - Brushpen & Watercolor


Mittwoch, 16. August 2017

Summer 17 Sketches & Studies and a daily quote #3 - Lonely Bay

Quote from the Book Vincent van Gogh - Letters to his brother:

'With charcoal, which was bathed in oil, you can do fabulous things... the oil then fixates, and the black will be warmer and deeper. But I better try this out in a year or so,..., because I want, that beauty does not originate from the material I use, but through me.'

Deutscher Text aus dem Buch:
'Mit Holzkohle, die in Öl gelegen hat, kann man fabelhafte Sachen machen... das Öl fixiert dann und das Schwarz wird wärmer und tiefer. Aber das sollte ich lieber erst in einem Jahr machen,... ich will nämlich, dass das Schöne dran nicht durch mein Material kommt, sondern durch mich.'

Lonely Bay - Idea and study for a later oil painting


Quote #2

Dienstag, 15. August 2017

Summer 17 Sketches & Studies and a daily quote #2 - Woman and Boats

Quote from the Book Vincent van Gogh - Letters to his brother
'Artist, I am ... it goes without saying, the meaning of this word is 'eternal search, without ever really finding.'

Deutscher Text aus dem Buch:
'Ich bin Künstler... es versteht sich von selbst, daß dies Wort bedeutet: >>stets suchen, ohne je ganz zu finden<<.'

Woman and Boats - pencil study
Check out: Quote #1

Montag, 14. August 2017

Summer 17 Sketches & Studies and a daily quote - Robbys Boat

Quote from the Book Vincent van Gogh - Letters to his brother

'Making studies, in my view, is sowing the seed. And painting is the harvest.'

Deutscher Text aus dem Buch:
'Das Studienmachen betrachte ich als Säen, und das Bildermachen ist ernten.'

Robbys Boat - pencil in sketchbook (a little smeared because lag of fixation)
40 degrees plus understandably crossed plans of working mainly with oil this summer, reducing the artistic effort to quick pencil studies in a sketchbook. The synergy of this and a deep appreciation of van Goghs passion, love, the all consuming commitment to become an artist, evolved into the idea of combining some quotes from the above mentioned book and some sketches from my summer vacation in Croatia.






Samstag, 15. Juli 2017

At the Goethe Museum Düsseldorf: Part 3

This sketch is the view from the upper west side window of the Goethe Museum Düsseldorf. It shows part of the Hofgarten and in the fainting back the top of the Dreischeibenhaus.

Upper West Side View from Goethe Museum Düsseldorf - Ink & Wash

Mittwoch, 12. Juli 2017

At the Goethe Museum Düsseldorf: Part 2

Trying to get more drawings done for the Urban Sketching exhibition end of august.

Ilioneus statue at the Goethe Museum Düsseldorf

Montag, 10. Juli 2017

At the Goethe Museum Düsseldorf

For an exhibition at the Goethe Museum Düsseldorf end of august this year, our Urban Sketchers Group met last Sunday to get some more work done. I concentrated on a couple of busts, drawing with brown ink & wash on old sheets of paper, found in an old cupboard.

Schiller Bust - at Goethe Museum Düsseldorf

Goethe Bust - at Goethe Museum Düsseldorf

Samstag, 25. März 2017

At the Rhein - Ruder Gesellschaft Benrath (Duesseldorf)

The sun today had sunburn quality, which I enjoyed very much! We were at a baptismal service with family and afterwards went to the 'Ruder Gesellschaft Benrath' to feast together. The break between dessert and coffee and cake we spent at the Rhein on a bench.

Montag, 13. Februar 2017

Fit to go wall?

One thing my wife keeps complaining about, is, that I paint and draw so tiny. Those little sketchbooks are okay, fine, you know. But can't hang'em on the wall! Alright, maybe it should be more of a focus. Not like, there is nothing to show off from my past ambitions. It has been a while, though, since my mind was set on framing. Good idea then, to stay comfy in my zone for now and use pen and ink and not mess with colors, thinner, medium, etc.

I remember, turning right on a shopping street in Ljubljana last year, going through that dark archway, 'cause I spotted a painting on an easel back there. Kind of wasn't ready for that slap-in-the-face backyard romantic!




Do you sometimes dream about homes? A new home? Like a really, really beautiful one, out of this world home, maybe even surreal? I do. A little bit more rent? Moving? Jep... plays into it, even then. What the hell! For this, I sacrifice. And waking up, carrying the beauty you found into reality. Lately, it is hard to spot. Got to really look for it! If it's a dream, well, fine. Actually seeing, experiencing, pushing your effort and idea out into the world, maybe as a drawing... it is all about dwelling, extending the fade out.

Samstag, 3. Dezember 2016

Missing the wedding ceremony can turn out in a painting

I had one job at our neighbours' wedding: 'Stay by the car and watch it. If necessary, drive away out of the non-parking-zone.' Which meant, I will miss the ceremony in the church,... but, ok. Usually, I take my drawing stuff wherever I go. Most of the time, I just feel good having it with me. At the wedding day, though, I got motivated to use it. While killing some time with a pencil sketch, the cute, little wedding car drew some attention with by-passers. Colouring and framing it wasn't the first idea. But hey, if it turns out ok, it could well be a nice after-present for the couple.

Gouache Painting 
The original Beauty


Sonntag, 13. November 2016

A discovery, we could not have hoped for!


Look at those fine, accurate lines. One letter, one word almost perfectly matching the other! Endlessly practicing. Do you see writing like this often? I think, we can agree on, that this is a skill, mastery of handwriting, calligraphy, art? Nope, no art. Those are pictures I took from 8th grade school books of my grandmother from 1922. My mother found them stored away in an old box which had not been opened for a long, long time. Surviving centuries of family history, moving around the country from place to place, collecting dust in dark basements.


 
So, it is 'just' school. And I hope, I am not alone here! I could not believe, and I cried out turning page after page, the precision and how beautiful the words are written. And she was not even gifted in the arts and drawing. Six or seven small books were stacked in an old, beautiful red binder. Mostly handwriting or calligraphy classes, which seemed to be an integral part throughout the years of school, a math book and a book from the art class. One day, then 15 years of age, my granny probably came home from her last day of school and threw her schoolbag in some corner. This might just be the state, in which that bag was in, when my mother found it in the box two months ago.



The back front of the red binder reveals part of the timetable. Also, two postcards slipped out. The darker one saying a 'Happy Birthday' and the other hinting at a lost 'Ladys Fan Talk' (Fächer-Sprache) with a quote 'What the Fan denies, fair Love yet desires'.


 


Of course, I took a look into the school bag. Could have been, that there are pens or other writing instruments to be found. Sadly, after opening the hardened leather lid, it was empty. But most likely, there is much more to discover going through those old school books. Whispers from a time gone by. For now, I and my family will saviour the lost and found and dwell in newly restored memory.


Donnerstag, 27. Oktober 2016

Details in the making - A visit to the National Gallery of Slovenia, Ljubljana (SLO)

It was interesting, even though I did not know any artists or their work, to experience a kind of familiarity. The walk through the National Gallery in Ljubljana is logically structured beginning from the 12th to 20th century. The story paintings tell are not that different from similar galleries in other cities and countries. And as always, I really started to get invested in paintings from the 18th century onward. Maybe because the images string more of a relation to my experiences, my way of thinking. Definitely, because the work gets looser. 

Studies in oil, unfinished work, sketches mostly drew my attention. Examples show the way the artist worked, how they started and structured the painting:

Jurij Subic, 1885
Sketches for the Ceiling of the Grand Staircase of the National Museum of Slovenia
Loved the work on the hair
Ferdo Vesel, 1897
Pre-Sketch in oil, establishing tone and color
Effective, how the building starts with a dark underpainting
 and the lighter tones were added on top

Examples of paintings dominated by their use of Lights and Darks. They will serve for own monochrome studies:

Federiko Benkovic, before 1750
The Liberation of St Peter
Study of Light and Darks, starting with a red pencil, watercolor wash
(which is probably not the greatest idea, since it takes too much effort to mix greys), getting detailed with charcoal
Ivana Kobilca, 1886
A Dutchwoman
Other paintings I liked for several reasons:

Matevz Langus
Self Portrait
(interesting lead holder)
Anton Karinger, 1869
Painter's Wife Roza Karinger
Detail from above
The color effect is just awesome  
Detail
So much facial color
Matej Sternen, 1902
A Redhead
(Looseness) 
Anton Azbe, 1888
Sitting Female Semi Nude
(Loved the work on the contours, striking sharp in the face
and loose and soft on the back and hair) 

MerkenMerken

Sonntag, 3. April 2016

Always looking for a trail



Walking up the glacier-road in Kaunertal (Austria) and scanning the area for some interesting trails. Especially this small path sounded pretty promising by sign. It leads to the 'Hidden Lake'. In winter, this might not be the greatest idea without a group and a lot of time. Everywhere off the road you need snow shoes and how quickly you move forward depends on the mass of snow. Definitely goes on my summer-hiking-list, though.

Mittwoch, 30. März 2016

Hiking in Austria

Easter vacation in Austria is skiing time... for my family, that is. I, myself, resort to exploring the surroundings on hiking trips. I am not just terrible on ski but also a pain as a hiking partner! Chances are, I take a lot of unannounced long breaks, pulling out the book, sketching whatever strokes my eye. Consequently, I am on my own most of the time. Which does not really bother me, though.

Two days ago, we brought our daughter to a doctor, about 20 km away from where we stay. Since it was just a harmless precaution visit, I felt free to roughly plan out the trip back on foot. Walking on the sunny side of the valley Kaunertal, I passed Castle Berneck, which sadly was closed at this time. I peeked through some holes in the door, but that was just about it of what I saw of the inside. Castles, in general, are a prominent site: Built to impress, taking center stage of the surrounding area. Could I resist?


Occasionally, I had to guess or just ask around for my way home. A friendly fellow named Klaus, living right by such a confusing crossroad, invited me in and we started to chat. We got along pretty well and watching and listening to him, I remembered one of my favorite artists doing sketches of interesting people he meets. Giving it a shot, I asked Klaus if he would be alright with me drawing him. He probably did not expect this question, but since we created a comfortable atmosphere, I found the courage and he his trust.


Thanks for reading... and leave a comment, if you like!

Donnerstag, 10. März 2016

One Grande Latte, please... for here


There were way more participants than there are on my cup! Actually, our Urban Sketchers regional group Duesseldorf/Cologne broke its' record last Sunday at the Starbucks Café Leverkusen, Germany. More than 15 people got together to sketch in this cozy store and spend the afternoon with a welcoming host, yummy lattes and tastes of juicy cake.

There was some commotion going on, I was told, since it was an unregular open Sunday at the mall. People streamed into the place the whole 6 opening hours. Despite overly human concentration on my part and so, not being aware of much around me, I ultimately failed my set goal to draw every single member of our happy group of sketchers. Tells you something about my work speed. Also, I took some time off, giving a radio interview for a local station (which sucked on my part, by the way... hope they cut out, like, everything!).

So much creativity and felt interest of the people watching us sketch... I dearly love our monthly get-togethers. Starbucks, the embodiment of urban and lifestyle, and the team (or shall I say partners) in Leverkusen did their part to make this memory last.

What else... here are some close-ups of the penciled Starbucks cup, I took home with me:






A little... ok, way over my head: The Extra-Special-Making-Of, which you get only in this blog:


Thanks for reading... and leave a comment, if you like!